When Kate Lancing read a newspaper advertisement for a commissioning editor, she was initially attracted by a name. Tucked away in an unpretentious area of London’s Bloomsbury, Half Moon Street had engaged her imagination. That plus Kate’s proclivity for a change of scene, which suited her situation as a woman on the brink of finding herself, swayed her to post an application letter.
The small academic publishing house of Jonas Finkelstein, had over thirty years, established a reputation for excellence. The present senior editor would be retiring, and Kate, if successful, felt confident she could follow that imprint with similar dedication. The position required an experienced person of mature temperament. Although a less experienced editor would be considered. This latter compromise had been included at the insistence of the junior partner, Larry Fisk. He had persuaded someone he knew in the trade to apply. A woman he could charm and manipulate.
Kate Lancing’s approach to life had more than surface texture. Failing to obtain a Doctorate after two attempts, she had settled for an MPhil. Her failure, as she saw it, was due to no more than male academics prejudices against women. Thereafter, she resolved to deal with her male counterparts, by critiquing their work with scything comments as a manuscript editor. Kate’s intention whilst initially vengeful had the opposite effect. Her diligence and accuracy was such, that over time she felt overwhelmed by the volume of work coming her way. Those who had denied Kate a PhD, were advising their doctoral students to consult her. Kate’s name became an unexpected byword, for those students subsequent publishing success. Her uncle Thad had coined her work the lancing principle, an imperative much like lancing a carbuncle. Which he postulated, had made her editing reputation one of the best.
James Thaddeus Lancing, Professor of Anatomy and Physiology at University College Hospital, London, had published the first revised edition of Henry Gray's Anatomy for Medical Students, with Finkelstein of Half Moon Street. The book had been a runaway international success, with seven reprints. His reference, and the fact his book had given the publishing house much needed international prestige, ensured Jonas Finkelstein would be obligated to shortlist Kate for an interview.
Larry Fisk of diminutive stature, pernickety habits, and devious ambitions, had other thoughts about Kate’s application. As an avowed socialist, who deeply resented patronage, Larry refused to be persuaded by Professor Lancing's reference. Cautious with an eye to his own future plans, Larry was careful not to antagonise Jonas. Instead, he used new employment regulations, attempting to ensure his partner retained an open mind. Jonas, however, had already consulted his retiring senior editor Marjorie Cummings. Who had assured him, Kate Lancing was the most suitable applicant. That satisfied Jonas, who avoided further discussion with his junior partner.
Marjorie Cummings and Larry Fisk, had a relationship of mutual dislike. Taller by seven inches, Marjorie's height was a humiliating contrast for Larry. Always careful to avoid confrontation, Marjorie’s disapproval, only ever evident when she raised a finely arched eyebrow. Reluctantly, she had to credit him with bringing in new business to Half Moon Street. Not that she ever voiced that to him. In her estimation, Larry was a puffed-up pipsqueak, who although he knew the business inside out, lacked the manners of a gentleman. She bristled on the occasions when he would smirk and say, “Times are changing, Marjorie.” As if she never knew, times are always changing.
Political books were Larry's line, which Marjorie conceded he commissioned from eminent, reliable, people. She couldn’t fault him on that score. Conversely, from the outset, Larry saw Marjorie for what he thought she was. A pretentious, Oxford educated, conservative snob. He couldn’t resist sending the occasional jibe in her direction. For all they had irritations and differences, they shared a mutual respect for the business. The publishing house was more important than their frosty relationship. And they mostly kept business matters to the forefront, when engaging in conversations.
As for her retirement plans, convinced Larry would eventually take over the Half Moon Street publishing house from Jonas, Marjorie decided that would never do. Latterly Jonas had become forgetful, less in control since his wife’s death, leaving more of the decisions to Larry. Aware Larry thought Kate Lancing a wild card, Marjorie was all the more determined, she would be appointed. To that end and unbeknown to Larry, Marjorie had persuaded Jonas, to include a future partnership clause in Kate’s contract. Before retiring, she would have six months in which to teach Kate the business. Marjorie's coup de grâce would be in making certain, pawky Larry Fisk had strong unnerving competition.